By Ken Dancyger, Jeff Rush
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Additional resources for Alternative Scriptwriting, Fourth Edition: Successfully Breaking the Rules
Although the meaning points in a different direction, this approach requires as much control as does the restorative three-act structure. Consistency of Tone To be intelligible, all stories must have some form of tonal consistency. As in a game, the rules can be arbitrary, but once they are established, they must be maintained. Otherwise, events and actions will have no meaning. In a restorative three-act story, however, tonal experimentation is particularly limited by the need to serve the progression of the act breaks.
2 Structure Consider the story line of a mainstream film. In The Verdict, Galvin, an a lcoholic lawyer who has lost faith in the law, is given a lucrative open-andshut case to settle out of court. But, finding himself moved by the injustice the case represents and seeing an opportunity to redeem himself, he decides to bring it to trial. We know this is crazy, and, sure enough, he runs the case into the ground. At this point, there’s nothing left and the script may as well end with Galvin’s return to his dissolute life.
Our understanding is not instantaneous. We are supplied with clues not only from the movement of the story, but also from the texture, the details, and, most importantly, from the ellipses, the things not there. Our understanding is more reflective and its full impact may not hit until the film is over. Binary Character Psychology In order to be distinct, acts tend to inflict extreme choices. Bud is either with Gekko or he is not; Crash is either with Annie or he isn’t; there is no middle ground.