Acoustic [UK] (June 2016)

Review: Acoustic journal is the UK's merely journal for Acoustic Guitars & avid gamers - Interviews with artists, apparatus exams and stories & professional columns from revered acoustic gamers comparable to Martin Taylor, Martin Simpson, Gordon Giltrap, Doyle Dykes, Martin Barre of Jethro Tull status. in the event you play acoustic guitar, then this is often the journal for you

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Extra resources for Acoustic [UK] (June 2016)

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For fingerstyle, it’s a real treat, the tone spreads beautifully if you give it the space it needs between the notes. Start to strum, and the relative lack of bass response makes itself known, but this is a quiet-voiced guitar all round, and it doesn’t feel inappropriate. Dig in and work it hard, and the limitation of the body size shows itself. It’s still pleasant to listen to, but thrash away with a plectrum and you’ll notice the bottom end hitting a wall. To be fair though, that’s not what this guitar is about.

As one of the UK’s most respected luthiers, Eggle’s signature is justified on the basis of having personal involvement in the often rare, sometimes unusual, tonewoods selected and his hands-on input over quality control and set-up of each guitar. Our review model here not only benefits from all of the above, but is also special in the sense that it’s a complete one-off. As part of his annual pilgrimage to California for the NAMM show in January, Patrick Eggle likes to take the opportunity to trek up to the hills in Northern California, famed for its timber yards.

The simple, sleek lines and quality tonewoods on offer here are plenty enough to justify calling this guitar a ‘looker’. The two-piece mahogany neck sits upon a stacked heel and is home to an ebony fingerboard fitted with 18 faultlessly finished frets. Highly polished gold-coloured tuning posts and machine heads are capped with ebony buttons. Although doing their job perfectly well, we’d perhaps have liked to have seen Kluson or Waverly tuners; maybe a set of open-geared tuners would have suited this singular production model better, rather than the more commonly used Grovers.

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